Thursday, September 26, 2019

Prelude

conservation unheard of
all still progress then
modern conveniences
blossoming interstates
five screeching girls
we scramble up & run
roll, tumble down dunes
as if dunes were made
for childrens’ pleasure
Wellfleet by 1960
grown green with trees
well-built wood houses
no longer Thoreau’s
wind-swept desolation
Portuguese fishers in
Provincetown ample
proof of meaner lives
Rachel Carson at home
writing her book, seed
of her cancer inside











Rain
by Edward Thomas

Rain, midnight rain, nothing but the wild rain
On this bleak hut, and solitude, and me
Remembering again that I shall die
And neither hear the rain or give it thanks
For washing me cleaner than I have been
Since I was born into this solitude.
Blessed are the dead that the rain rains upon:
But here I pray that none whom once I loved
Is dying tonight or lying still awake
Solitary, listening to the rain,
Either in pain or thus in sympathy
Helpless among the living and the dead,
Like a cold water among broken reeds,
Myriads of broken reeds all still and stiff,
Like me who have no love which this wild rain
Has not dissolved except the love of death,
If love it be towards what is perfect and
Cannot, the tempest tells me, disappoint.

Wednesday, September 18, 2019

Meditation

When I’m young — in my fifties
e.g. — I think of myself as water,
green & unconfined. I soak up
all I encounter — oxygen,
biology, heavy rain, languages,
clades, accounts of long gone
explorers — sponge & loggerhead,
custard apple, neighborhood
potluck. Must it proceed, age —
wear down the jagged sharps,
the pitched rapids, slippery rocks
zippered by flashing fish
to yellowed, scoured dunes?


















Nocturne for the Night Workers of the South
by Joshua Poteat

Once, when I was young and loved every girl that breathed
              the same summer as I did, I worked as a night watchman
in the county asylum, a forgotten place, lost among

the kudzu, the long-leaf pines birthing cones the size
              of watermelons. It was the kind of place that, when it rained,
spotted-moth larva would tunnel from the wet plaster ceilings

and drink the patient’s ears. The county wanted it forgotten,
              their own kind gone bad, like in the Bible, where Christ
slaps rotting eggs from the yellow mouths of lepers.

Eat of this bread, he said, or something close, and the lepers
              scraped up the eggs and made a sandwich, and I imagine for
the first time, Christ shrugged. You are what you eat,

he should have said, if he had any truth left in him by then.
              I wasn’t allowed to talk to the patients, and usually,
they were all medicated by the time I hitched a ride

there, on the backs of flatbeds wedged between crates
              of sweet potatoes rotting under the moon.
When I found out that I wasn’t really a night watchman

but an owl catcher, and would have to incinerate any owl
              I caught, I stayed on anyway. I needed the work.
According to legend, seeing a Horned Owl during a meal

was supposed to mean, Don’t finish your stew.
              Barn owls seen more than mile or so from their perches
were wandering ghosts, or meant that ghosts

would soon force themselves into your dreams,
              a madness I could do without.
Sighting a Snowy Owl meant bones would ache

but without further consequence. They would simply ache
              for a while, then stop. I found this applied for all owls.
My whole body ached then. When I dressed for work

it was like dressing a wound. I couldn’t tell if it was the girls
              or the birds. I became good at it, though, despite the ache,
if that is even possible, chewing the stolen, orange meat

of potatoes to keep me awake, slumped in the attics
              with a canvas bag from the laundry room.
Christ also said, Any true work is done alone. This I believe.

The sweat of the insane is sweeter than ours:
              clover and bee’s wing and honeyed ham.
I could hear them breathing beneath me in their beds. Don’t ask how

it was to be so near that bleak sea of faces. It’s the faces, paint flaking off,
              dolls with blinking eyes, snow of paint in spilled urine.
Even their white breath, eight-petaled in the chill of their rooms,

was something I couldn’t name.
              Dogwood: no. Wild pea: perhaps . . . but no. Chamomile,
milk-weed: never. I never looked at them, the pink azalea of hair

between their legs, luminous with lice, not even down
              the blouses of the nurses when they bent to look in
at the big-headed owls. Now, I think I brought those birds

down through the wards, alive and flapping,
              so someone would stop me. No one ever gets tired of the moon.
No one ever said, Fuck the moon, let’s get it out of here.

We keep it around, we learn to like it.
              Habit is the devil’s glorious invention, like I heard war could be.
Easing a bayonet into a belly was the same as opening

a can of tomatoes by firelight if you did it enough.
              These were birds and I burned them and on rare days
I remember their heads, round and milky, baby’s breath,

their wings not really wings, finally, but damp bolts of silk,
              and the low sough of wind dragging their ashes into September’s arms.
I remember the story of General Lee on his deathbed

telling a sad friend to cheer up, that he had known
              but three happy hours during his whole existence.
Two of those as a child asleep in the boughs of a white oak,

the last in an asylum staring at a beautiful girl’s naked ribcage
              that had been woven into a basket by tuberculosis.
Night transcends what the proudest day can do, that’s for damn sure,

all silently,
              the indescribable night and stars,
far off and silently.

Monday, September 9, 2019

Birds & Lashings

wouldn’t the birds flee
if the end were near?
or do their songs
herald demise?
Bahamian birds
where are you this morning?
all the places you hid —
branches, gutters
shadows of walls
spun to smithereens
by a dawdling storm
fill the bathtub
carry up your boots
& all the garden tools
move the seeds to a dry bottle
lash trashbarrels
to garage uprights
daft measures to avert
what will come regardless
all you’re trying to save
you didn’t own a year ago
















from Fascicle Nine
by Emily Dickinson

An awful Tempest mashed the air —
The clouds were gaunt, and few —
A Black — as of a spectre’s cloak
Hid Heaven and Earth from view —

The creatures chuckled on the Roofs —
And whirled in the air —
And shook their fists —
And gnashed their teeth —
And swung their frenzied hair —

The morning lit — the Birds arose —
The Monster’s faded eyes
Turned slowly to his native coast —
And peace — was Paradise!

Wednesday, August 28, 2019

The Way It Was

you flow through the world
red earth, bicycle, dust
others flow alongside you
you intersect, wheels brush
elbows collide, one yells
one laughs, one pedals hard
rounds a bend, climbs a hill
you close your eyes, the voices
louder now, grit on your hands
pine needles, sap, an acorn
you peel & taste, you’re a crow
you’re a possum, a sand dune
a pocketful of bread crusts
lint-coated raisins, girl


















Questions of Travel
by Elizabeth Bishop

There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
— For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.

Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?

But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
— Not to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over 
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
— A pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
— Yes, a pity not to have pondered,
blurr'dly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
— Never to have studied history in
the weak calligraphy of songbirds' cages.
— And never to have had to listen to rain
so much like politicians' speeches:
two hours of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:

"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been not entirely right
about just sitting quietly in one's room?

Continent, city, country, society:
the choice is never wide and never free.
And here, or there . . . No. Should we have stayed at home,
wherever that may be?"